SUFFS MIGHT WAKE US UP — AND SEND US BACK TO WORK

If you’re going to be in Manhattan and can snag a ticket, Go See SUFFS.
Absolutely marvelous fun. And if this rousing musical doesn’t make you want to take to the streets to get the Equal Rights Amendment passed, I don’t know what will. This is a show for grandmothers, mothers, daughters, granddaughters and men who have hearts and good sense.
Ask any ten people if the ERA is law, chances are five of them will say “Of course.” As if women really had equal rights in the good ol’ U.S. of A. First introduced in 1923, the ERA would guarantee women equal rights, period. Initially that meant things like property, employment etc, but today it’s being thwarted because the ERA could confirm the right to control one’s own body, which means — horror of horrors — women might choose not to have babies, or even to have babies via IVF.
Alice Paul (1885–1977,) the heroine of SUFFS the Musical and a ferocious freedom fighter in real life, followed in the footsteps of her suffragist mother Tacie Paul (1859–1930.) Both lived to see the 19th Amendment pass, but Alice would not see the ERA become law. Other 20th century activists for women’s rights, this writer included, will likely be long dead and gone before it happens.
But that doesn’t mean the ERA is dead and gone. My friend Ally McKinney Timm, for (one) example, is out there working for it every day. Founder and Executive Director of DC-based Justice Revival, Ally and her associates may be slightly less inclined toward getting jailed or going on hunger strikes than was Alice Paul, but they are no less committed to equal rights for all humankind — including womankind. Periodically they are optimistic about living to see the ERA become law.
The suffragist musical also features other heroines of the 19th Amendment, and addresses the complexities of race, infighting and personal conflicts that necessarily attend any such movement. Some freedom fighters of today believe that if women could win the vote in 1923, maybe they could win full rights a century+ later; time will tell.
SUFFS the Musical, nominated for a bunch of Tony Awards, won Best Book and Original Score honors for Shaina Taub a few hours after I saw it. (Hawley Gould, rather than actress Taub, played the part of Alice Paul in the matinee and absolutely rocked the role.)
My own mother (1897–1967,) a suffragist marcher in 1920, later turned out to be too much of a proper Virginia lady to march in the streets. (Not so her youngest daughter…) But since she believed deeply in the ERA — and would be horrified to know it still languishes un-ratified nearly 60 years after her death — I imagine her clear soprano joining in as the Suff’s full ensemble sends us out to the enthusiastic finale — —



















